Bassoon

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COVER
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CATALOGUE NR.
COMPOSER & TITLE
SHORT DESCRIPTION

PRICE
(EURO)

A-1129

Gyula Fekete:
Birthplace Girls

Gyula Fekete (1962– )
Concert piece in one movement for bassoon and piano – for use from intermediate level. (Score and bassoon part)

10.50
A-1057

Mate Hollos:
Dialogue with the Invisible

Mate Hollos (1954- )
Piece for bassoon with the accompaniment of an electronic keyboard instrument (maybe piano) or pre-recorded electronic instrumental material (on CD or tape). The recorded accompaniment can also be purchased from the publisher.

8.50

A-1187

Kósa Gábor: Bassooning

Gábor Kósa (1950– )
The title Fagottas (Bassoon-ish) is practically untranslatable: it's a sort of wordplay on the Hungarian szőttes meaning "homespun" or perhaps its more pejorative side kopottas, meaning "shabby".
The five short pieces are for intermediate level students, and represent a fairly exacting standard of chamber music. They are not all in the same style, but even so I composed them primarily to be a set of pieces. The repeats in the Burlesque must be played, otherwise it loses its baroque binary form with its reference to the sonata. The Quodlibet refers to the playful practice in Bach's time of improvising a "homespun" musical fabric ("szőttes") out of various well-known tunes. The Nóta (type of 19th century Hungarian popular song) is a 'pseudo- folksong' in which the exaggerated vibrato of the drunken singer is portrayed by the chromatic second part that entwines it. These "arabesques" become later more independent. The Kánon is an imitative canon at the diminished fifth, which is reprised as an invertible canon. The basic inspiration for the last piece – Hommage à B.B. – is "Birkózás" (Wrestling) from Bartók's Mikrokosmos. It continues with a parade of musical fragments, some of which are well known. (2 playing scores – 7 pages notes)

 

15.00
A-1135

Istvan Lang:
Interpolations – for bassoon solo

István Láng (1933– )
A solo work using modern means of playing by one of the most outstanding and internationally reknown Hungarian composer – included a fingering chart to the score.

 

5.50
A-1027

Kamillo Lendvay:
Three Movements

Kamillo Lendvay (1928- )
Concert piece for bassoon and piano which can be used in intermediate level of music education.

9.50

A-1177

Peter Nogradi: Psalmus for bassoon and piano

Peter Nogradi (1952– )

A concert piece in one movement that can be used for educational purposes, too.

11.00

E.C.106

Csaba Szabo:
Concert Piece

Csaba Szabo
For bassoon and piano

15.00




A-1120

Istvan Szigeti:
Impossiblities

István Szigeti (1952– )
Duo for two Hungarian instrumental virtuosos: the flautist Zoltán Gyöngyössy and the bassoonist György Lakatos, dedicated to them and to their capacities.

15.50