COVER
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CATALOGUE NR.
COMPOSER & TITLE
SHORT DESCRIPTION

A-1093

Viktor Togobitsky:
From an Old Diary
for 2 Violins

A-1085

Laszlo Dubrovay:
Valse triste
et trés vite

A-1129

Gyula Fekete:
Birthplace Girls

A-1050

Janos Gyulai Gaal:
Duo for Violin and Cello

A-1068

Mate Hollos:
On the Edge of Non-Existence

A-1056

Pal Jardanyi:
Sonata for violin and piano

A-1051

Kamillo Lendvay:
Rapsodia

A-1089

Ivan Madarasz:
Three Stories for Oboe and Piano

A-1073

Ivan Madarasz:
Dialogue for trombone and piano

A-1116

Ivan Madarász:
Lot’s Prayer

Iván Madarász (1949– )
The closing aria of the opera ”Lot” by the composer: the painful farewell prayer of Lot to Sodoma. The piece can be performed on any optional kind of string, wind and brass instrument with piano accompaniment (technically from higher music school level). 

A-1090

Jeno Pertis:
Duos for Violin and Viola

Jeno Pertis (1939-2007 )
Duos for violin and viola for concert platform and advanced educational level.

A-1122

Mate Hollos:
Adagio ed appassionato

Mate Hollos (1954– )
A concert piece in two movements for flute, violin and piano, suitable already on intermediate level

A-1151

Istvan Lang: Sempre in tensione

Istvan Lang (1933– )
The title of the composition written for flute, violin and viola characterises the style of the composer. (Score and parts)

A-1123

Miklos Sugar:
Chorea

Miklos Sugar (1952– )
Composition in one movement for clarinet, cello and a player of prepared piano as well as synthesizer. The title refers to the music of Chick Corea and the chorus of the ancient Greek theatre.

A-1134

Katalin Szekely:
Aphorisms for cello and marimba

Katalin Szekely (1953– )
A captivating duet for an unusual pairing of instruments by the Hungarian composer living in Spain.

A-1092

Istvan Szigeti:
Why Not?
for Flute Cello and Piano

Istvan Szigeti (1952- )
A musically humorous trio for flute, cello and piano which can be well used on an advanced educational level either.

A-1133

Miklos Sugar: Two Daffodils – for 2 clarinets and bassoon

Miklos Sugar (1952– )
A trio in one movement based on a folk ballad from Bartók’s collection, featuring Sugár’s own style influenced by repetitive music as well.
Score and parts.

Victor Togobitsky (1952-1999)
Short characteristic, dancing movements which can be utilized in music education either.

A-1142

Peter Toth:
Apocryphal Sonata

Peter Toth (1965– )
A concert piece of relatively more traditional musical language that can be performed on the duet of violin and piano as well as cello and piano (both parts – violin and cello – are included to the score of the piano).

Peter Toth (1965– )
I got to know the music of Tihamér Vujicsics’s collection on a CD  which I happened to hear. I was given it as a present, and it had on it a good hour of the music of the southern slavs living in Hungary. As I have long had a fondness for this musical world, I decided to use music from it as the basis of the trio I had planned as the continuation of my Duo Concertante for two violins. It is written for two violins and viola and makes free use of the original vocal and instrumental folk music, subjecting it to variation and development. The slow meditative introduction is followed first by a bagpipe tune in moderate tempo, and then a virtuoso baroque-flavoured allegro, says the composer about his piece.

A-1077

Istvan Vantus:
Parabola

Istvan Vantus (1935-1992)
A lyrical concert piece for cello and piano.

A-1102

Zsolt Durko:
Résonances

Zsolt Durko (1934–1997)
Concert trio for clarinet, basset-horn and piano
(Score and parts.)

Denes Legany (1965-2000)
Introduction; Rush; Relaxation; Fugue; Melody; Final (score and parts)

A-1111

Peter Nogradi:
Divertimento

Peter Nogradi (1952- )
Concert piece for clarinet, horn and violin.
(Score and parts.)

A-1109

Pal Rozsa:
Four Trios with a Postlude

Pal Rozsa (1946- )
Concert piece for 2 clarinets and bassoon.
(Score and parts.)

A-1099

Miklos Sugar:
Réminiscences

Miklos Sugar (1952- )
Trio for clarinet, cello and piano.
(Score and parts.)

A-1107

Istvan Szigeti: Gestures

Istvan Szigeti (1952- )
Concert piece for 2 clarinets and bassoon.
(Score and parts.)

A-1072

Peter Durko:
String Quartet

Peter Durko (1972- )
A result of the composer's post-graduate studies in Paris. (Score and parts.)

no score example

Laszlo Lajtha (1882-1963)
Parts of the last and most popular string quartet of the composer. (Score and parts.)

A-1175

Kamillo Lendvay: String Quartet No. 2

Kamillo Lendvay (1928– )

The four movements composition was written for the commission of the Bartók Quartet and first performed by them with great success.
            Score and parts

A-1124

Peter Nogradi (1952– )
A concert piece in four movements.

A-1169

Peter Zombola: Quartet No.1

Peter Zombola  (1983– )

My string quartet consists of seven movements of varying lengths which can be divided up into larger units: 1 – 4; 5; 6 – 7, making three groups. In the first unit all the instruments are equal, in the 5th movement the cello has the main role, and in the 6th movement equality among the instruments is restored. The cello solo in the 5th movement is in fact a composed inprovisation, and in conformity with this it should be treated in every respect more freely than the music of the other movements.
Péter Zombola

Score and parts

A-1156

Miklós Sugár: Two Latin Hymn-Fragments

Miklós Sugár (1952– )  
  
The two hymn-fragments: 1. O quam admirabile, 2. Amor est vita omnium (Sancti Bernardi de Claravalle: De amore divino rhytmus). The soprano soloist is accompanied by flute, violin and piano.

EdbR KiL 009

Laszlo Kiraly:
Ostinato Ongherese

Laszlo Kiraly (1954– )
Concert piece in one movement for 4 cellos or cello orchestra (score and parts).

EdbR KiL 001

Laszlo Kiraly:
Melancolic Serenade

Laszlo Kiraly (1954- )
Lyrical composition in one movement which can be performed either on four cellos or on a bigger cello ensemble (score and parts).

EB 50 002

Zoltan Kovacs:
Quintetto per Flauto ed Archi

Flute quintet
(Flute-Violin-Viola-Violoncello-Double bass)
Score and parts

A-1088

Denes Legany:
Air for Flute Oboe, Saxophone, Piano and Cello

Dénes Legany (1965-2000)
A lyrical composition for flute, oboe, saxophone, cello and piano. (Score and parts.)

Cellissimo 009

Csaba Szabo:
Serenade for Winds

Csaba Szabo (1936–2003)
A concert piece in three movements for wind quintet (flute, oboe, clarinet, horn, bassoon).
Score and parts.

Erzsebet Szonyi (1924- )
Attractive piece of concert platform. (Score and parts.)

A-1104

Ivan Madarasz:
Sheol

Ivan Madarasz (1949- )
Touching concert piece in one movement with a slight reference to Hungarian and Jewish folklore for flute, harp and string quartet. (Score and parts.)

22.00

(complete set of 6 playing scores: 66.00)

Medieval dances and sacred music, dances from the Danserye Collection by Susato, Greensleeves, Sonata in C major by Vivaldi (Il pastor fido) and Trio Sonata in C major by Naudot. Detailed commentaries on the works and period instruments in English, German and French.

EdbR KiL 008

Laszlo Kiraly:
Notturno
IN MEMORIAM DURKO ZSOLT (1999)

László Király (1954– )
The piece was written in the memory of Zsolt Durkó for the following 14 instruments: flute, oboe, clarinet, bass clarinet, horn, harp, piano, cimbalom, percussion, string quartet and double-bass. The score can be purchased, the parts to be hired.