COVER
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CATALOGUE NR.
COMPOSER & TITLE
SHORT DESCRIPTION

A-1081

Gabor Kosa:
Sonata for Marimba

Gabor Kosa (1950- )
A concert piece in three movements by the composer, an excellent player of the marimba, that can be used for advanced educational purposes, too.

A-1153

Peter Nogradi: Four Preludes

Peter Nogradi (1952– )
Concert pieces also useful in education on intermediate level. Movement titles: Midnight Talk, Bluebells, Battle, Rose-window.         
(Percussion part is included. The instruments: 2 bonghi, 2 tom-tom, Piatti sospesi, Tam-tam, Campanelli, triangolo, timpani, marimbafono.)

A-1160

Jeno Pertis: 
Unfinished Stories

 Jeno Pertis (1939–2007)

A five movements composition for marimba and vibraphone, one player remained in the legacy of the composer, not premiered in his life. The titles of the movements: ...a cloud dispersing;  ...an illusory goldfish; Ikarus; Forebodings; ...about the once upon a time kósaphon. The score is edited by the excellent percussionist and composer, Gábor Kósa who inspired Pertis to write this piece.
A set of two playing scores.

EdbR KiL 012

Laszlo Kiraly :
TWO CONCERT-PIECES

Laszlo Kiraly (1954- )
for flute and percussions (or dulcimer)

HHM 2005-2

Katalin Pocs:
Maracanga

Katalin Pocs (1963- )
Duo for marimba and harp

A-1154

Pal Rozsa: Duet for Two Marimbas

Pal Rozsa (1946– )
A concert piece in three movemets (Introduzione, Intermezzo, Finale) that can be played from intermediate educational level. (Playing score in two copies)

A-1134

Katalin Szekely:
Aphorisms for cello and marimba

Katalin Szekely (1953– )
A captivating duet for an unusual pairing of instruments by the Hungarian composer living in Spain.

A-1181

Peter Toth: Snare Drum Serenade

Péter Tóth (1965– )

I composed my Snare Drum Serenade in 2002 as an imaginary ballet?, silent film? I imagined three soldiers from the middle ages who begin ardently courting below the window of their sweethearts when returning from the battle. Each of them boasts of his heroic deed glorifying himself while diminishing the deeds of his comrades. They want to gain the heart yearned for overbiding each other. How much do they succeed? I leave it to the listener to judge – says the composer about his piece for three snare drums in one movement.
Score and parts.